Home | Forum | Search
A Big New Free Happy Unusual Life
Buy
The Art of Freedom
A Big New Free Happy Unusual Life
by Nina Wise

A captivating performance artist and teacher, Nina Wise has dedicated her life to tapping the wisdom that emerges from spontaneity. Under Wise's guidance, thousands have discovered the healing power of spontaneous movement, storytelling, vocalizing, and other forms of unedited self-expression. Now she shares the time-tested discoveries of her surprising and spirited workshops in A Big New Free Happy Unusual Life.

In clearly-explained, ten-minute exercises that can be performed almost anywhere, Nina Wise points the way towards a fuller, more creative life. She invites us to rediscover the body, to fall in love with language, and most of all to see the extraordinary in the ordinary. Wise's voice is invigorating and warm as she provides a remarkable antidote to anyone struggling with burnout, past traumas, everyday stresses, or specific fears. A Big New Free Happy Unusual Life helps us unlock deep sources of peace and leads us to discover the robust creativity that lies at the heart of our being.

Chapter 1

Remembering Who We Are

"We all want to be free. That is human nature. We want to be free from pain and suffering and limitations. If we look deeply into our hearts, we know what we want; we are in love with the condition of liberation. Our pain is the feeling of alienation or separation from our Beloved, which is this freedom. . . . But finding true nature is not for the timid. It requires courage and a sense of adventure, a fearless heart, and optimistic strength."

— Hameed Ali

The Art of Freedom

It is our nature to be free and it is our nature to express that freedom, spontaneously and without hesitation, through song, and dance, and painting, and poetry, and prayer. In the same way that the universe gives birth to uncountable shapes, forms, colors, and beings in a grand panoply of flowing, changing manifestation, we, too, are of the nature to give birth to myriad forms of expression. In the same way that birds sing, and lions roar, and prairie dogs dance, and cicadas chant, and water sculpts rock, and sunsets paint the sky, we, too, are of the nature to sing, and roar, and dance, and chant, and sculpt, and paint. And we are also of the nature to pray — to give thanks and reverence to this Creation that we are an inextricable part of as witnesses and participants.

All of us are free, and this freedom is our very essence; we need not do anything at all to achieve it. But distracted by the stories we tell ourselves about our lives and who we believe ourselves to be within these stories, we forget that our essential nature is unencumbered and liberated. Instead, we enforce stringent rules on ourselves and each other, confining our freedom of self-expression to meager slots of time in rigidly defined arenas. Dancing on the sidewalk is forbidden except in the movies. Singing while riding your bicycle is forbidden unless absolutely no one is within earshot. Spontaneously talking in a French accent because your lover has just left you and you're a little depressed and feel like being someone else for a minute — forbidden. And we, ourselves, are the prison guards who keep ourselves incarcerated. So it is we, ourselves, who must open the doors and step out into the light and gaze unflinchingly at the boundless sky which is reflecting our own nature.

Freedom does not mean that we cease to feel pain, but that we have the courage to move through the depths of suffering and the pinnacles of joy alike. And as we allow ourselves to express whatever arises, fully and without judgment, we discover that what ails us transforms into what heals us, and the distinction between pain and delight fades — this is the alchemy of creative self-expression.

It is our nature to be free, but we forget, since it is also our nature to forget. Spiritual practice is a method of remembering who we are. And spiritual practice need not be restricted to sitting still and watching the breath. As Rumi says, "There are many ways to kneel and kiss the ground."

Reclaiming What We Have Lost

"If you don't change the direction in which you are going, you will end up where you are headed."

— Confucius (reputedly)

We speak of progress. We speak of evolution. We imagine we are moving forward, fast. But where are we going? If we look at the evidence, we recognize that as we have progressed technologically, we have systematically divested ourselves of a vital source of well-being.

Since the inception of the human species and until only decades ago, daily life was infused with art making. We crafted our own tools, we sewed our own clothing, we built our own shelters, we cultivated our own food. We sang songs that we made up, songs that were passed down to us, and songs that were given to us by the gods. We danced together matching our steps to the steps of our companions. We built musical instruments out of hides and sinew, twine and bent wood. We painted on walls and on our bodies and our implements. These creative acts enhanced our well-being as individuals, strengthened family bonds, knit communities together, and provided access to states of being that invoked insight and wisdom. We as a species cannot reside in psychological and physical health if we abandon the very activities that maintain well-being.

Everyone is creative. Creativity is our very nature. But for many of us, the creative impulse has gone into hiding. "I can't draw, I can't sing, I can't dance," we confess to each other, and we plant ourselves in front of the television for the evening. But the creative impulse that is at the core of all being remains robust within us.

Creativity is about having the courage to invent our lives — to concoct lovemaking games, cook up a new recipe, paint a kitchen cabinet, build sculptures on the beach, and sing in the shower. Creativity is about our capacity to experience the core of our being and the full range of our humanness.

The question of how to become more creative is not about learning anything, or even doing anything, but about allowing whatever arises to gain expression. To do this, we must bypass the voice inside of us that says stop. The censoring mind is clever and has an entire litany of reasons we must refrain from expressing ourselves: You are a bad dancer so sit back and watch while the skillful ones dance. And you certainly can't paint so don't even try because you will embarrass yourself. You sing off-key and you can't hold a rhythm — you will disturb everyone within earshot if you open your mouth. And if you happen to disregard this sage advice, you will make a total fool of yourself and no one will ever love you or give you a job. We obey this voice as if being guided by inner wisdom; but when we tune in, we hear a quieter voice calling out to us to express ourselves freely. This is the voice that can liberate us. If we listen and respond, our lives become rich with the pleasure creative freedom provides.

Many years ago, I learned an important lesson about the value of self-expression. I was ending a long-term relationship and spent day after day sequestered in my studio where I played a particularly sad love song over and over again as I rolled slowly across the dance floor letting the tears flow. After a week of crying and floor rolling, my heartache lifted. I was surprised by a wave of disappointment — I actually missed the romantic pain that had moved me effortlessly around the room. As I emerged from the swoon of grief, I realized that inherent in the act of art making was a relief from pain — suffering became more bearable when expressed through art.

"Art is a wound turned into light," the French painter Georges Braques wrote. Worked with as material, the very feelings and incidents that cause our suffering can be transformed through our creative acts into sources of amusement or a bittersweet pleasure. While drawing or painting, singing or dancing, writing poetry or prose, rearranging the furniture or arranging flowers, we allow our psyche a way of emerging from the dark recesses of the mind into the perceived realm of form. In the same manner that our bodies are able to heal from cuts and bruises and colds, our hearts are able to heal from emotional injuries if we find a means for healthy expression. And this expression does not necessarily require that we spend hours of time in our studios — creative expression can occur in minutes, anywhere.

Next: The Art of Freedom, Part 2

Copyright © 2002 by Nina Wise. Excerpted by permission of Broadway, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

About the Author

For more than thirty years Nina Wise has taught and led life-changing workshops. A recipient of three fellowships from the National Endowment for the Arts, among many other honors, she holds degrees from the University of California in religious studies and the aesthetics of movement. Currently affiliated with Esalen Institute, UC Berkeley, and the Spirit Rock Meditation Center, she lives in Marin County, California.

More by Nina Wise
Related Topics
Spirituality
Self-Esteem
Reflection and Self Discovery
Articles & Books
What's Your Name? - KnitLit
Big Red was the first of the sweaters that flew from my friend Alex's needles in the year 2000. A prolific knitter, Alex frequently names her sweaters. Big Red was a sim- ple, rustic sweater, a wholesome wool sweater of hearty peasant stock.
Knitting Nancy - KnitLit
Every story has a beginning and mine begins in my early teens. I was taught to knit by a left-handed friend. Since I am right-handed, my knitting ability and form are not the greatest.
Our Knitting Heroine - KnitLit (too)
Our knitting heroine is a Canadian. This means that she must skate, whether she likes it or not. Let us assume that in this case, the operative word is 'not.' She is, however, married to Darling, a Newfoundlander, and this means that the offspring

© 2008 eNotAlone.com