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Energy Release and the Emotions : Part 7
The Foundations of Personality
by Abraham Myerson, M.D.

(Page 16 of 25)

Is there a harm in the repression of emotion? Is emotion a heaped-up tension which, unless it is discharged, causes damage? Shall man inhibit his anger, fear, joy, sorrow, disgust, at least in some measure, or shall he express them in gesture, speech and act? The answer is obvious: he must control them, and in that term control we mean, not inhibition, not expression in its naive sense, but that combination of inhibition, expression and intelligent act we call adjustment. To express fear in the face of danger or anger at an offense might thwart the whole life's purpose, might bring disaster and ruin. The emotions are poor adjustments in their most violent form, their natural form, and invite disaster by clouding the intelligence and obscuring permanent purposes. Therefore, they must be controlled. To establish this control is a primary function of training and intelligence and does no harm unless carried to excess.

True, there is a relief in emotional expression, a wiping out of sorrow by tears, an increase of the pleasure of joy in freely laughing, a discharge of anger in the blow or the hot word, even the profane word. There is a time and a place for these things, and to get so "controlled" that one rarely laughs or shows sadness or anger is to atrophy, to dry up. But the emotional expression makes it easy to become an habitual weeper or stormer, makes it easy to become the over-emotional type, whose reaction to life is futile, undignified and a bodily injury. For emotion is in large part a display of energy, and the overemotional rarely escape the depleted neurasthenic state. In fact, hysteria and neurasthenia are much more common in the races freely expressing emotion than in the stolid, repressed races. Jew, Italian, French and Irish figure much more largely than English, Scotch or Norwegian in the statistics of neurasthenia and hysteria.

10. I have said but little on other emotions, - on admiration, surprise and awe. This group of affective states is of great importance. Surprise may be either agreeable or disagreeable and is our reaction to the unexpected. Its expression, facially and of body, is quite characteristic, with staring eyes and mouth slightly open, raised eyebrows, hands hanging with fingers tensely spread apart, so that a thing held therein is apt to drop. Surprise heightens the feeling of internal tension, and in all excitement it is an element, in that the novel brings excitement and surprise, whereas the accustomed gives little excitement or surprises. In all wit and humor surprise is part of the technique and constitutes part of the pleasure. Surprise usually heightens the succeeding feeling, whether of joy, sorrow, anger, fear, pleasure or pain, or in any form. But sometimes the effect of surprise is so benumbing that an incapacity to feel, to realize, is the most marked result and it is only afterward that the proper emotion or feeling becomes manifest.

The reaction to the unexpected is an important adjustment in character. There are situations beyond the power of any of us quickly to adjust ourselves to and we expect the great catastrophe to surprise and overwhelm. Nevertheless, we judge people by the way they react to the unexpected; the man who rallies quickly from the confusion of surprise is, we say, "cool-headed," keeps his wits about him; and the man who does not so rally or adjust "loses his head," - "loses his wits." Part of this cool-headedness is not only the rallying from surprise but also the throwing off of fear. A warning has for its purpose, "Don't be surprised!" and training must teach resources against the unexpected. "If you expect everything you are armed against half the trouble of the world." The cautious in character minimize the number of surprises they may get by preparing. The impulsive, who rarely prepare, are always in danger from the unforeseen. Aside from preparation and knowledge, there is in the condition of the organism a big factor in the reaction to the unexpected. Fatigue, neurasthenia, hysteria and certain depressed conditions render a man more liable to react excessively and badly to surprise. The tired soldier has lessened resources in wit and courage when surprised, for fatigue heightens the confusion and numbness of surprise and decreases the scope of intelligent conduct. Choice is made difficult, and the neurasthenic doubt is transformed to impotence by surprise.

Face to face with what is recognized as superior to ourselves in a quality we hold to be good, we fall into that emotional state, a mingling of surprise and pleasure, called admiration. In its original usage, admiration meant wonder, and there is in all admiration something of that feeling which is born in the presence of the superior. The more profound the admiration, the greater is the proportion of wonder in the feeling.

We find it difficult to admire where the competitive feeling is strongly aroused, though there are some who can do so. It is the essence of good sportsmanship, the ideal aimed at, to admire the rival for his good qualities, though sticking fast to one's confidence in oneself. The English and American athletes, perhaps also the athletes of other countries, make this part of their code of conduct and so are impelled to act in a way not entirely sincere. Wherever jealousy or envy are strongly aroused, admiration is impossible, and so it comes about that men find it easy to praise men in other noncompetitive fields or for qualities in which they are not competing. Thus an author may strongly admire an athlete or a novelist may praise the historian; a beautiful woman admires another for her learning, though with some reservation in her praise, and a successful business man admires the self-sacrificing scientist, albeit there is a little complacency in his approval.

He is truly generous-hearted who can admire his competitor. I do not mean lip-admiration, through the fear of being held jealous. Many a man joins in the praise of one who has outstripped him, with envy gnawing at his heart, and waits for the first note of criticism to get out the hammer. "He is very fine - but" is the formula, and either through innuendo, insinuation or direct attack, the "subordinate" statement becomes the most sincere and significant. But there are those who can admire their conqueror, not only through the masochism that lurks in all of us, but because they have lifted their ideal of achievement and character higher than their own possibilities and seek in others the perfection they cannot hope to have in themselves. In other words, where competition is hopeless, in the presence of the greatly superior, a feeling of humility which is really admiration to the point of worship comes over us, and we can glory in the quality we love. To admire is to recede the ego-feeling, is to feel oneself in an ecstasy that becomes mystical, and in that sense the contradiction arises that we feel ourselves larger in a unification with the admired one.

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  In this book
  Introduction
  1. The Organic Basis of Character
  2. The Environmental Basis of Character
  3. Memory and Habit
  4. Stimulation, Inhibition, Organizing Energy, Choice and Consciousness
  5. Hysteria, Subconsciousness and Freudianism
  6. Emotion, Instinct, Intelligence and Will
  7. Excitement, Monotony and Interest
  8. The Sentiments of Love, Friendship, Hate, Pity and Duty
  9. Energy Release and the Emotions
» Part 1
» Part 2
» Part 3
» Part 4
» Part 5
» Part 6
» Part 7
» Part 8
  10. Courage, Resignation, Sublimation, Patience, the Wish, and Anhedonia
  11. The Evolution of Character
  12. The Methods of Purpose - Work Characters
  13. The Qualities of the Leader and the Follower
  14. Sex Characters and Domesticity
  15. Play, Recreation, Humor and Pleasure Seeking
  16. Religious Characters. Disharmony in Character
  17. Some Character Types
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