Companionship and Examples : Part 6

Character
by Samuel Smiles

(Page 8 of 18)

On the contrary, small and ungenerous minds cannot admire heartily. To their own great misfortune, they cannot recognise, much less reverence, great men and great things. The mean nature admires meanly. The toad's highest idea of beauty is his toadess. The small snob's highest idea of manhood is the great snob. The slave-dealer values a man according to his muscles. When a Guinea trader was told by Sir Godfrey Kneller, in the presence of Pope, that he saw before him two of the greatest men in the world, he replied: "I don't know how great you may be, but I don't like your looks. I have often bought a man much better than both of you together, all bones and muscles, for ten guineas!"

Although Rochefoucauld, in one of his maxims, says that there is something that is not altogether disagreeable to us in the misfortunes of even our best friends, it is only the small and essentially mean nature that finds pleasure in the disappointment, and annoyance at the success of others. There are, unhappily, for themselves, persons so constituted that they have not the heart to be generous. The most disagreeable of all people are those who "sit in the seat of the scorner." Persons of this sort often come to regard the success of others, even in a good work, as a kind of personal offence. They cannot bear to hear another praised, especially if he belong to their own art, or calling, or profession. They will pardon a man's failures, but cannot forgive his doing a thing better than they can do. And where they have themselves failed, they are found to be the most merciless of detractors. The sour critic thinks of his rival:

"When Heaven with such parts has blest him,
Have I not reason to detest him?"

The mean mind occupies itself with sneering, carping, and fault- finding; and is ready to scoff at everything but impudent effrontery or successful vice. The greatest consolation of such persons are the defects of men of character. "If the wise erred not," says George Herbert, "it would go hard with fools." Yet, though wise men may learn of fools by avoiding their errors, fools rarely profit by the example which, wise men set them. A German writer has said that it is a miserable temper that cares only to discover the blemishes in the character of great men or great periods. Let us rather judge them with the charity of Bolingbroke, who, when reminded of one of the alleged weaknesses of Marlborough, observed, - "He was so great a man that I forgot he had that defect."

Admiration of great men, living or dead, naturally evokes imitation of them in a greater or less degree. While a mere youth, the mind of Themistocles was fired by the great deeds of his contemporaries, and he longed to distinguish himself in the service of his country. When the Battle of Marathon had been fought, he fell into a state of melancholy; and when asked by his friends as to the cause, he replied "that the trophies of Miltiades would not suffer him to sleep." A few years later, we find him at the head of the Athenian army, defeating the Persian fleet of Xerxes in the battles of Artemisium and Salamis, - his country gratefully acknowledging that it had been saved through his wisdom and valour.

It is related of Thucydides that, when a boy, he burst into tears on hearing Herodotus read his History, and the impression made upon his mind was such as to determine the bent of his own genius. And Demosthenes was so fired on one occasion by the eloquence of Callistratus, that the ambition was roused within him of becoming an orator himself. Yet Demosthenes was physically weak, had a feeble voice, indistinct articulation, and shortness of breath - defects which he was only enabled to overcome by diligent study and invincible determination. But, with all his practice, he never became a ready speaker; all his orations, especially the most famous of them, exhibiting indications of careful elaboration, - the art and industry of the orator being visible in almost every sentence.

Similar illustrations of character imitating character, and moulding itself by the style and manner and genius of great men, are to be found pervading all history. Warriors, statesmen, orators, patriots, poets, and artists - all have been, more or less unconsciously, nurtured by the lives and actions of others living before them or presented for their imitation.

Great men have evoked the admiration of kings, popes, and emperors. Francis de Medicis never spoke to Michael Angelo without uncovering, and Julius III. made him sit by his side while a dozen cardinals were standing. Charles V. made way for Titian; and one day, when the brush dropped from the painter's hand, Charles stooped and picked it up, saying, "You deserve to be served by an emperor." Leo X. threatened with excommunication whoever should print and sell the poems of Ariosto without the author's consent. The same pope attended the deathbed of Raphael, as Francis I. did that of Leonardo da Vinci.

Though Haydn once archly observed that he was loved and esteemed by everybody except professors of music, yet all the greatest musicians were unusually ready to recognise each other's greatness. Haydn himself seems to have been entirely free from petty jealousy. His admiration of the famous Porpora was such, that he resolved to gain admission to his house, and serve him as a valet. Having made the acquaintance of the family with whom Porpora lived, he was allowed to officiate in that capacity. Early each morning he took care to brush the veteran's coat, polish his shoes, and put his rusty wig in order. At first Porpora growled at the intruder, but his asperity soon softened, and eventually melted into affection. He quickly discovered his valet's genius, and, by his instructions, directed it into the line in which Haydn eventually acquired so much distinction.

Haydn himself was enthusiastic in his admiration of Handel. "He is the father of us all," he said on one occasion. Scarlatti followed Handel in admiration all over Italy, and, when his name was mentioned, be crossed himself in token of veneration. Mozart's recognition of the great composer was not less hearty. "When he chooses," said he, "Handel strikes like the thunderbolt." Beethoven hailed him as "The monarch of the musical kingdom." When Beethoven was dying, one of his friends sent him a present of Handel's works, in forty volumes. They were brought into his chamber, and, gazing on them with reanimated eye, be exclaimed, pointing at them with his finger, "There - there is the truth!"

About the Author

Born in Haddington, Smiles was the eldest of eleven children. He left school at the age of 14 and was apprenticed to a doctor, eventually enabling him to study medicine at the University of Edinburgh. While studying and after graduating he campaigned for parliamentary reform, contributing articles to the Edinburgh Weekly Chronicle and the Leeds Times.