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Superstition : Part 4 Health and Education (Page 13 of 20) Why not? The uneducated man of genius, unacquainted alike with metaphysics and with biology, sees, like a child, a personality in every strange and sharply-defined object. A cloud like an angel may be an angel; a bit of crooked root like a man may be a man turned into wood - perhaps to be turned back again at its own will. An erratic block has arrived where it is by strange unknown means. Is not that an evidence of its personality? Either it has flown hither itself, or some one has thrown it. In the former case, it has life, and is proportionally formidable; in the latter, he who had thrown it is formidable. I know two erratic blocks of porphyry - I believe there are three - in Cornwall, lying one on serpentine, one, I think, on slate, which - so I was always informed as a boy - were the stones which St. Kevern threw after St. Just when the latter stole his host's chalice and paten, and ran away with them to the Land's End. Why not? Before we knew anything about the action of icebergs and glaciers, that is, until the last eighty years, that was as good a story as any other; while how lifelike these boulders are, let a great poet testify; for the fact has not escaped the delicate eye of Wordsworth: | ||||||||
To the civilised poet, the fancy becomes a beautiful simile; to a savage poet, it would have become a material and a very formidable fact. He stands in the valley, and looks up at the boulder on the far-off fells. He is puzzled by it. He fears it. At last he makes up his mind. It is alive. As the shadows move over it, he sees it move. May it not sleep there all day, and prowl for prey all night? He had been always afraid of going up those fells; now he will never go. There is a monster there. Childish enough, no doubt. But remember that the savage is always a child. So, indeed, are millions, as well clothed, housed, and policed as ourselves - children from the cradle to the grave. But of them I do not talk; because, happily for the world, their childishness is so overlaid by the result of other men's manhood; by an atmosphere of civilisation and Christianity which they have accepted at second-hand as the conclusions of minds wiser than their own, that they do all manner of reasonable things for bad reasons, or for no reason at all, save the passion of imitation. Not in them, but in the savage, can we see man as he is by nature, the puppet of his senses and his passions, the natural slave of his own fears. But has the savage no other faculties, save his five senses and five passions? I do not say that. I should be most unphilosophical if I said it; for the history of mankind proves that he has infinitely more in him than that. Yes: but in him that infinite more, which is not only the noblest part of humanity; but, it may be, humanity itself, is not to be counted as one of the roots of superstition. For in the savage man, in whom superstition certainly originates, that infinite more is still merely in him; inside him; a faculty: but not yet a fact. It has not come out of him into consciousness, purpose, and act; and is to be treated as non-existent: while what has come out, his passions and senses, is enough to explain all the vagaries of superstition; a vera causa for all its phenomena. And if we seem to have found a sufficient explanation already, it is unphilosophical to look further, at least till we have tried whether our explanation fits the facts. Nevertheless, there is another faculty in the savage, to which I have already alluded, common to him and to at least the higher vertebrates - fancy; the power of reproducing internal images of external objects, whether in its waking form of physical memory - if, indeed, all memory be not physical - or in its sleeping form of dreaming. Upon this last, which has played so very important a part in superstition in all ages, I beg you to think a moment. Recollect your own dreams during childhood; and recollect again that the savage is always a child. Recollect how difficult it was for you in childhood, how difficult it must be always for the savage, to decide whether dreams are phantasms or realities. To the savage, I doubt not, the food he eats, the foes he grapples with, in dreams, are as real as any waking impressions. But, moreover, these dreams will be very often, as children's dreams are wont to be, of a painful and terrible kind. Perhaps they will be always painful; perhaps his dull brain will never dream, save under the influence of indigestion, or hunger, or an uncomfortable attitude. And so, in addition to his waking experience of the terrors of nature, he will have a whole dream-experience besides, of a still more terrific kind. He walks by day past a black cavern mouth, and thinks, with a shudder - Something ugly may live in that ugly hole: what if it jumped out upon me? He broods over the thought with the intensity of a narrow and unoccupied mind; and a few nights after, he has eaten - but let us draw a veil before the larder of a savage - his chin is pinned down on his chest, a slight congestion of the brain comes on; and behold he finds himself again at that cavern's mouth, and something ugly does jump out upon him: and the cavern is a haunted spot henceforth to him and to all his tribe. It is in vain that his family tell him that he has been lying asleep at home all the while. He has the evidence of his senses to prove the contrary. He must have got out of himself, and gone into the woods. When we remember that certain wise Greek philosophers could find no better explanation of dreaming than that the soul left the body, and wandered free, we cannot condemn the savage for his theory. Now, I submit that in these simple facts we have a group of "true causes" which are the roots of all the superstitions of the world. And if any one shall complain that I am talking materialism: I shall answer, that I am doing exactly the opposite. I am trying to eliminate and get rid of that which is material, animal, and base; in order that that which is truly spiritual may stand out, distinct and clear, in its divine and eternal beauty.
W. Isbister & CO., 1874. |
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