Contemplation and Suggestion : Part 4

The Life of the Spirit and the Life of Today
by Evelyn Underhill

(Page 7 of 15)

Next, consider for a moment the way in which the foreconscious does and must present its apprehensions to consciousness. Its cognitions of the spiritual are in the nature of pure immediacy, of uncriticized contacts: and the best and greatest of them seem to elude altogether that machinery of speech and image which has been developed through the life of sense. The well-known language of spiritual writers about the divine darkness or ignorance is an acknowledgment of this. God is "known darkly." Our experience of Eternity is "that of which nothing can be said." It is "beyond feeling" and "beyond knowledge," a certitude known in the ground of the soul, and so forth. It is indeed true that the spiritual world is for the human mind a transcendent world, does differ utterly in kind from the best that the world of succession is able to give us; as we know once for all when we establish a contact with it, however fleeting. But constantly the foreconscious - which, as we shall do well to remember, is the artistic region of the mind, the home of the poem, and the creative phantasy - works up its transcendent intuitions in symbolic form. For this purpose it sometimes uses the machinery of speech, sometimes that of image. As our ordinary reveries constantly proceed by way of an interior conversation or narrative, so the content of spiritual contemplation is often expressed in dialogue, in which memory and belief are fused with the fruit of perception. The "Dialogue of St. Catherine of Siena," the "Life of Suso," and the "Imitation of Christ," all provide beautiful examples of this; but indeed illustrations of it might be found in every school and period of religious literature.

Such inward dialogue, one of the commonest spontaneous forms of autistic thought, is perpetually resorted to by devout minds to actualize their consciousness of direct communion with God. I need not point out how easily and naturally it expresses for them that sense of a Friend and Companion, an indwelling power and support, which is perhaps their characteristic experience. "Blessed is that soul," says à Kempis, "that heareth the Lord speaking in him and taketh from His mouth the word of consolation. Blessed be those ears that receive of God's whisper and take no heed of the whisper of this world." Though St. John of the Cross has reminded us with blunt candour that such persons are for the most part only talking to themselves, we need not deny the value of such a talking as a means of expressing the deeply known and intimate presence of Spirit. Moreover, the thoughts and words in which the contemplative expresses his sense of love and dedication reverberate as it were in the depths of the instinctive mind, now in this quietude thrown open to these influences: and the instinctive mind, as we have already seen, is the home of character and of habit formation.

Where there is a tendency to think in images rather than in words, the experiences of the Spirit may be actualized in the form of vision rather than of dialogue: and here again, memory and feeling will provide the material. Here we stand at the sources of religious art: which, when it is genuine, is a symbolic picture of the experiences of faith, and in those minds attuned to it may evoke again the memory or very presence of those experiences. But many minds are, as it were, their own religious artists; and build up for themselves psychic structures answering to their intuitive apprehensions. So vivid may these structures sometimes be for them that - to revert again to our original simile - the self turns from the window and the realistic world without, and becomes for the time wholly concentrated on the symbolic drama or picture within the room; which abolishes all awareness of the everyday world. When this happens in a small way, we have what might be called a religious day-dream of more or less beauty and intensity; such as most devout people who tend to visualization have probably known. When the break with the external world is complete, we get those ecstatic visions in which mystics of a certain type actualize their spiritual intuitions. The Bible is full of examples of this. Good historic instances are the visions of Mechthild of Magdeburg or Angela of Foligno. The first contain all the elements of drama, the last cover a wide symbolic and emotional field. Those who have read Canon Streeter's account of the visions of the Sadhu Sundar Singh will recognize them as being of this type.

I do not wish to go further than this into the abnormal and extreme types of religious autism; trance, ecstasy and so forth. Our concern is with the norm of the spiritual life, as it exists to-day and as all may live it. But it is necessary to realize that image and vision do within limits represent a perfectly genuine way of doing things, which is inevitable for deeply spiritual selves of a certain type; and that it is neither good psychology nor good Christianity, lightly to dismiss as superstition or hysteria the pictured world of symbol in which our neighbour may live and save his soul. The symbolic world of traditional piety, with its angels and demons, its friendly saints, its spatial heaven, may conserve and communicate spiritual values far better than the more sophisticated universe of religious philosophy. We may be sure that both are more characteristic of the image-making and structure-building tendencies of the mind, than they are of the ultimate and for us unknowable reality of things. Their value - or the value of any work of art which the foreconscious has contrived - abides wholly in the content: the quality of the material thus worked up. The rich nature, the purified love, capable of the highest correspondences, will express even in the most primitive duologue or vision the results of a veritable touching and tasting of Eternal Life. Its psychic structures - however logic may seek to discredit them - will convey spiritual fact, have the quality which the mystics mean when they speak of illumination. The emotional pietist will merely ramble among the religious symbols and phrases with which the devout memory is stored. It is true that the voice or the picture, surging up as it does into the field of consciousness, seems to both classes to have the character of a revelation. The pictures unroll themselves automatically and with amazing authority and clearness, the conversation is with Another than ourselves; or in more generalized experiences, such as the sense of the Divine Presence, the contact is with another order of life. But the crucial question which religion asks must be, does fresh life flow in from those visions and contacts, that intercourse? Is transcendental feeling involved in them? "What fruits dost thou bring back from this thy vision?" says Jacopone da Todi; and this remains the only real test by which to separate day-dreams from the vitalizing act of contemplation. In the first we are abandoned to a delightful, and perhaps as it seems holy or edifying vagrancy of thought. In the second, by a deliberate choice and act of will, foreconscious thinking is set going and directed towards an assigned end: the apprehending and actualizing of our deepest intuition of God. In it, a great region of the mind usually ignored by us and left to chance, yet source of many choices and deeds, and capable of much purifying pain, is put to its true work: and it is work which must be humbly, regularly and faithfully performed. It is to this region that poetry, art and music - and even, if I dare say so, philosophy - make their fundamental appeal. No life is whole and harmonized in which it has not taken its right place.

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