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The Child at Home : Part 1
The American Child
by Elizabeth McCracken

(Page 2 of 13)

In one of the letters of Alice, Grand Duchess of Hesse, to her mother, Queen Victoria, she writes: "I try to give my children in their home what I had in my childhood's home. As well as I am able, I copy what you did."

There is something essentially British in this point of view. The English mother, whatever her rank, tries to give her children in their home what she had in her childhood's home; as well as she is able, she copies what her mother did. The conditions of her life may be entirely different from those of her mother, her children may be unlike herself in disposition; yet she still holds to tradition in regard to their upbringing; she tries to make their home a reproduction of her mother's home.

The American mother, whatever her station, does the exact opposite - she attempts to bestow upon her children what she did not possess; and she makes an effort to imitate as little as possible what her mother did. She desires her children to have that which she did not have, and for which she longed; or that which she now thinks so much better a possession than anything she did have. Her ambition is to train her children, not after her mother's way, but in accordance with "the most approved modern method." This method is apt, on analysis, to turn out to be merely the reverse side of her mother's procedure.

I have an acquaintance, the mother of a plump, jolly little tomboy of a girl; which child my acquaintance dresses in dainty embroideries and laces, delicately colored ribbons, velvet cloaks, and feathered hats. These garments are not "becoming" to the little girl, and they are a distinct hindrance to her hoydenish activities. They are not what she ought to have, and, moreover, they are not what she wants.

"I wish I had a middy blouse, and some bloomers, and an aviation cap, and a sweater, and a Peter Thompson coat!" I heard her say recently to her mother: "the other children have them."

"Children are never satisfied!" her mother exclaimed to me later, when we were alone. "I spend so much time and money seeing that she has nice clothes; and you hear what she thinks of them!"

"But, for ordinary wear, for play, wouldn't the things she wants be more comfortable?" I ventured. "You dress her so beautifully!" I added.

"Well," said my acquaintance in a gratified tone, "I am glad you think so. I had no very pretty clothes when I was a child; and I always longed for them. My mother didn't believe in finery for children; and she dressed us very plainly indeed. I want my little girl to look as I used to wish I might look!"

"But she doesn't care how she looks - " I began.

"I know," the child's mother sighed. "I can see how her little girls will be dressed!"

Can we not all see just that? And doubtless the little girls of this beruffled, befurbelowed tomboy - dressed in middy blouses, and bloomers, and aviation caps, and sweaters, and Peter Thompson coats, or their future equivalents - will wish they had garments of a totally different kind; and she will be exclaiming, "Children are never satisfied!"

If this principle on the part of mothers in America in providing for their children were confined to such superficialities as their clothing, no appreciable harm - or good - would come of it. But such is not the case; it extends to the uttermost parts of the child's home life.

Only the other day I happened to call upon a friend of mine during the hour set aside for her little girl's piano lesson. The child was tearfully and rebelliously playing a "piece." Her teacher, a musician of unusual ability, guided her stumbling fingers with conscientious patience and care. A child of the least musical talent would surely have responded in some measure to such excellent instruction. My friend's little girl did not. When the lesson was finished, she slipped from the piano stool with a sigh of intense relief.

She started to run out of doors; but her mother detained her. "You may go to your room for an hour," she said, gently but gravely, "and stay there all alone. That will help you to remember to try harder tomorrow to have a good music lesson." And the child, more tearful, more rebellious than before, crept away to her room.

"When I was her age I didn't like the work involved in taking music lessons any better than she does," my friend said. "So my mother didn't insist upon my taking them. I have regretted it all my life. I love music; I always loved it - I loved it even when I hated practising and music lessons. I wish my mother had made me keep at it, no matter how much I objected! Well, I shall do it with my daughter; she'll thank me for it some day."

I am not so sure that her daughter will. Her music-teacher agrees with me. "The child has no talent whatever," she told me. "It is a waste of time for her to take piano lessons. Her mother now - she has a real gift for it! I often wish she would take the lessons!"

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  In this book
  Introduction
  1. The Child at Home
» Part 1
» Part 2
» Part 3
» Part 4
» Part 5
» Part 6
  2. The Child at Play
  3. The Country Child
  4. The Child in School
  5. The Child in the Library
  6. The Child in Church
  Conclusion
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