Artist Idolatry

Treatise on Parents and Children
by George Bernard Shaw

(Page 11 of 12)

But there are more dangerous influences than ragtimes waiting for people brought up in ignorance of fine art. Nothing is more pitiably ridiculous than the wild worship of artists by those who have never been seasoned in youth to the enchantments of art. Tenors and prima donnas, pianists and violinists, actors and actresses enjoy powers of seduction which in the middle ages would have exposed them to the risk of being burnt for sorcery. But as they exercise this power by singing, playing, and acting, no great harm is done except perhaps to themselves. Far graver are the powers enjoyed by brilliant persons who are also connoisseurs in art. The influence they can exercise on young people who have been brought up in the darkness and wretchedness of a home without art, and in whom a natural bent towards art has always been baffled and snubbed, is incredible to those who have not witnessed and understood it. He (or she) who reveals the world of art to them opens heaven to them. They become satellites, disciples, worshippers of the apostle. Now the apostle may be a voluptuary without much conscience. Nature may have given him enough virtue to suffice in a reasonable environment. But this allowance may not be enough to defend him against the temptation and demoralization of finding himself a little god on the strength of what ought to be a quite ordinary culture. He may find adorers in all directions in our uncultivated society among people of stronger character than himself, not one of whom, if they had been artistically educated, would have had anything to learn from him or regarded him as in any way extraordinary apart from his actual achievements as an artist. Tartuffe is not always a priest. Indeed he is not always a rascal: he is often a weak man absurdly credited with omniscience and perfection, and taking unfair advantages only because they are offered to him and he is too weak to refuse. Give everyone his culture, and no one will offer him more than his due.

In thus delivering our children from the idolatry of the artist, we shall not destroy for them the enchantment of art: on the contrary, we shall teach them to demand art everywhere as a condition attainable by cultivating the body, mind, and heart. Art, said Morris, is the expression of pleasure in work. And certainly, when work is made detestable by slavery, there is no art. It is only when learning is made a slavery by tyrannical teachers that art becomes loathsome to the pupil.

"The Machine"

When we set to work at a Constitution to secure freedom for children, we had better bear in mind that the children may not be at all obliged to us for our pains. Rousseau said that men are born free; and this saying, in its proper bearings, was and is a great and true saying; yet let it not lead us into the error of supposing that all men long for freedom and embrace it when it is offered to them. On the contrary, it has to be forced on them; and even then they will give it the slip if it is not religiously inculcated and strongly safeguarded.

Besides, men are born docile, and must in the nature of things remain so with regard to everything they do not understand. Now political science and the art of government are among the things they do not understand, and indeed are not at present allowed to understand. They can be enslaved by a system, as we are at present, because it happens to be there, and nobody understands it. An intelligently worked Capitalist system, as Comte saw, would give us all that most of us are intelligent enough to want. What makes it produce such unspeakably vile results is that it is an automatic system which is as little understood by those who profit by it in money as by those who are starved and degraded by it: our millionaires and statesmen are manifestly no more "captains of industry" or scientific politicians than our bookmakers are mathematicians. For some time past a significant word has been coming into use as a substitute for Destiny, Fate, and Providence. It is "The Machine": the machine that has no god in it. Why do governments do nothing in spite of reports of Royal Commissions that establish the most frightful urgency? Why do our philanthropic millionaires do nothing, though they are ready to throw bucketfuls of gold into the streets? The Machine will not let them. Always the Machine. In short, they dont know how.

They try to reform Society as an old lady might try to restore a broken down locomotive by prodding it with a knitting needle. And this is not at all because they are born fools, but because they have been educated, not into manhood and freedom, but into blindness and slavery by their parents and schoolmasters, themselves the victims of a similar misdirection, and consequently of The Machine. They do not want liberty. They have not been educated to want it. They choose slavery and inequality; and all the other evils are automatically added to them.

And yet we must have The Machine. It is only in unskilled hands under ignorant direction that machinery is dangerous. We can no more govern modern communities without political machinery than we can feed and clothe them without industrial machinery. Shatter The Machine, and you get Anarchy. And yet The Machine works so detestably at present that we have people who advocate Anarchy and call themselves Anarchists.

The Provocation to Anarchism

What is valid in Anarchism is that all Governments try to simplify their task by destroying liberty and glorifying authority in general and their own deeds in particular. But the difficulty in combining law and order with free institutions is not a natural one. It is a matter of inculcation. If people are brought up to be slaves, it is useless and dangerous to let them loose at the age of twenty-one and say "Now you are free." No one with the tamed soul and broken spirit of a slave can be free. It is like saying to a laborer brought up on a family income of thirteen shillings a week, "Here is one hundred thousand pounds: now you are wealthy." Nothing can make such a man really wealthy. Freedom and wealth are difficult and responsible conditions to which men must be accustomed and socially trained from birth. A nation that is free at twenty-one is not free at all; just as a man first enriched at fifty remains poor all his life, even if he does not curtail it by drinking himself to death in the first wild ecstasy of being able to swallow as much as he likes for the first time. You cannot govern men brought up as slaves otherwise than as slaves are governed. You may pile Bills of Right and Habeas Corpus Acts on Great Charters; promulgate American Constitutions; burn the chateaux and guillotine the seigneurs; chop off the heads of kings and queens and set up Democracy on the ruins of feudalism: the end of it all for us is that already in the twentieth century there has been as much brute coercion and savage intolerance, as much flogging and hanging, as much impudent injustice on the bench and lustful rancor in the pulpit, as much naive resort to torture, persecution, and suppression of free speech and freedom of the press, as much war, as much of the vilest excess of mutilation, rapine, and delirious indiscriminate slaughter of helpless non-combatants, old and young, as much prostitution of professional talent, literary and political, in defence of manifest wrong, as much cowardly sycophancy giving fine names to all this villainy or pretending that it is "greatly exaggerated," as we can find any record of from the days when the advocacy of liberty was a capital offence and Democracy was hardly thinkable. Democracy exhibits the vanity of Louis XIV, the savagery of Peter of Russia, the nepotism and provinciality of Napoleon, the fickleness of Catherine II: in short, all the childishnesses of all the despots without any of the qualities that enabled the greatest of them to fascinate and dominate their contemporaries.

And the flatterers of Democracy are as impudently servile to the successful, and insolent to common honest folk, as the flatterers of the monarchs. Democracy in America has led to the withdrawal of ordinary refined persons from politics; and the same result is coming in England as fast as we make Democracy as democratic as it is in America. This is true also of popular religion: it is so horribly irreligious that nobody with the smallest pretence to culture, or the least inkling of what the great prophets vainly tried to make the world understand, will have anything to do with it except for purely secular reasons.

Source: printed volume containing the plays "Misalliance", "The Dark Lady of the Sonnets", "Fanny's First Play", and the essay "A Treatise on Parents and Children".

About the Author

George Bernard Shaw (born 26 July 1856, Dublin, Ireland died November 2, 1950, Hertfordshire, England) was an Irish writer. Famed as a playwright, he wrote more than sixty plays. He was uniquely honoured by being awarded both a Nobel Prize (1925) for his contribution to literature and an Oscar (1938) for Pygmalion. He was a strong advocate for socialism and women's rights, a vegetarian and teetotaller, and a harsh critic of formal education. Shaw died in 1950 at the age of 94.