The Theory of The Bed, Part 2

The Physiology of Marriage: The Musings of an Eclectic Philosopher on the Happiness and Unhappiness of Married Life
by Honoré de Balzac

(Page 23 of 43)

"Ought we not to feel more interest in the improvement of the human race than in that of horses? Gentlemen, I passed through a little town of Orleanais where the whole population consisted of hunchbacks, of glum and gloomy people, veritable children of sorrow, and the remark of the former speaker caused me to recollect that all the beds were in a very bad condition and the bedchambers presented nothing to the eyes of the married couple but what was hideous and revolting. Ah! gentlemen, how is it possible that our minds should be in an ideal state, when instead of the music of angels flying here and there in the bosom of that heaven to which we have attained, our ears are assailed by the most detestable, the most angry, the most piercing of human cries and lamentations? We are perhaps indebted for the fine geniuses who have honored humanity to beds which are solidly constructed; and the turbulent population which caused the French Revolution were conceived perhaps upon a multitude of tottering couches, with twisted and unstable legs; while the Orientals, who are such a beautiful race, have a unique method of making their beds. I vote for the adjournment."

And the gentleman sat down.

A man belonging to the sect of Methodists arose. "Why should we change the subject of debate? We are not dealing here with the improvement of the race nor with the perfecting of the work. We must not lose sight of the interests of the jealous husband and the principles on which moral soundness is based. Don't you know that the noise of which you complain seems more terrible to the wife uncertain of her crime, than the trumpet of the Last Judgment? Can you forget that a suit for infidelity could never be won by a husband excepting through this conjugal noise? I will undertake, gentlemen, to refer to the divorces of Lord Abergavenny, of Viscount Bolingbroke, of the late Queen Caroline, of Eliza Draper, of Madame Harris, in fact, of all those who are mentioned in the twenty volumes published by -." (The secretary did not distinctly hear the name of the English publisher.)

The motion to adjourn was carried. The youngest member proposed to make up a purse for the author producing the best dissertation addressed to the society upon a subject which Sterne considered of such importance; but at the end of the seance eighteen shillings was the total sum found in the hat of the president.

The above debate of the society, which had recently been formed in London for the improvement of manners and of marriage and which Lord Byron scoffed at, was transmitted to us by the kindness of W. Hawkins, Esq., cousin-german of the famous Captain Clutterbuck. The extract may serve to solve any difficulties which may occur in the theory of bed construction.

But the author of the book considers that the English society has given too much importance to this preliminary question. There exists in fact quite as many reasons for being a Rossinist as for being a Solidist in the matter of beds, and the author acknowledges that it is either beneath or above him to solve this difficulty. He thinks with Laurence Sterne that it is a disgrace to European civilization that there exist so few physiological observations on callipedy, and he refuses to state the results of his Meditations on this subject, because it would be difficult to formulate them in terms of prudery, and they would be but little understood, and misinterpreted. Such reserve produces an hiatus in this part of the book; but the author has the pleasant satisfaction of leaving a fourth work to be accomplished by the next century, to which he bequeaths the legacy of all that he has not accomplished, a negative munificence which may well be followed by all those who may be troubled by an overplus of ideas.

The theory of the bed presents questions much more important than those put forth by our neighbors with regard to castors and the murmurs of criminal conversation.

We know only three ways in which a bed (in the general sense of this term) may be arranged among civilized nations, and particularly among the privileged classes to whom this book is addressed. These three ways are as follows:

1. TWIN BEDS. 2. SEPARATE ROOMS. 3. ONE BED FOR BOTH.

Before applying ourselves to the examination of these three methods of living together, which must necessarily have different influences upon the happiness of husbands and wives, we must take a rapid survey of the practical object served by the bed and the part it plays in the political economy of human existence.

The most incontrovertible principle which can be laid down in this matter is, that the bed was made to sleep upon.

It would be easy to prove that the practice of sleeping together was established between married people but recently, in comparison with the antiquity of marriage.

By what reasonings has man arrived at that point in which he brought in vogue a practice so fatal to happiness, to health, even to amour-propre? Here we have a subject which it would be curious to investigate.

If you knew one of your rivals who had discovered a method of placing you in a position of extreme absurdity before the eyes of those who were dearest to you - for instance, while you had your mouth crooked like that of a theatrical mask, or while your eloquent lips, like the copper faucet of a scanty fountain, dripped pure water - you would probably stab him. This rival is sleep. Is there a man in the world who knows how he appears to others, and what he does when he is asleep?

In sleep we are living corpses, we are the prey of an unknown power which seizes us in spite of ourselves, and shows itself in the oddest shapes; some have a sleep which is intellectual, while the sleep of others is mere stupor.

About the Author

Honoré de Balzac (May 20, 1799 - August 18, 1850), born Honoré Balzac, was a nineteenth-century French novelist and playwright. His work, much of which is a sequence (or Roman-fleuve) of almost 100 novels and plays collectively entitled La Comédie humaine, is a broad, often satirical panorama of French society, particularly the Petit bourgeoisie, in the years after the fall of Napoleon Bonaparte in 1815-namely the period of the Restoration (1815-1830) and the July Monarchy (1830-1848).