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Voltaire's Philosophical Dictionary (Page 9 of 21) The third record, very inferior to the two others, exists in the Arundel marbles: the chronicle of Athens is graved there two hundred and sixty-three years before our era; but it goes back only to Cecrops, thirteen hundred and nineteen years beyond the time when it was engraved. In the history of antiquity those are the sole incontestable epochs that we have. Let us give serious attention to these marbles brought back from Greece by Lord Arundel. Their chronicle begins fifteen hundred and eighty-two years before our era. That is today (1771) an antiquity of 3,353 years, and you do not see there a single fact touching on the miraculous, on the prodigious. It is the same with the Olympiads; it is not there that one should say Græcia mendax, lying Greece. The Greeks knew very well how to distinguish between history and fable, between real facts and the tales of Herodotus: just as in their serious affairs their orators borrowed nothing from the speeches of the sophists or from the images of the poets. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
The date of the taking of Troy is specified in these marbles; but no mention is made of Apollo's arrows, or of the sacrifice of Iphigenia, or of the ridiculous combats of the gods. The date of the inventions of Triptolemy and Ceres is found there; but Ceres is not called goddess. Mention is made of a poem on the abduction of Prosperine; it is not said that she is the daughter of Jupiter and a goddess, and that she is wife of the god of the infernal regions. Hercules is initiated into the mysteries of Eleusis; but not a word on his twelve labours, nor on his passage into Africa in his cup, nor on his divinity, nor on the big fish by which he was swallowed, and which kept him in its belly three days and three nights, according to Lycophron. Among us, on the contrary, a standard is brought from heaven by an angel to the monks of Saint-Denis; a pigeon brings a bottle of oil to a church in Rheims; two armies of snakes give themselves over to a pitched battle in Germany; an archbishop of Mayence is besieged and eaten by rats; and, to crown everything, great care has been taken to mark the year of these adventures. All history is recent. It is not astonishing that we have no ancient profane history beyond about four thousand years. The revolutions of this globe, the long and universal ignorance of that art which transmits facts by writing are the cause of it. This art was common only among a very small number of civilized nations; and was in very few hands even. Nothing rarer among the French and the Germans than to know how to write; up to the fourteenth century of our era nearly all deeds were only attested by witnesses. It was, in France, only under Charles VII., in 1454, that one started to draft in writing some of the customs of France. The art of writing was still rarer among the Spanish, and from that it results that their history is so dry and so uncertain, up to the time of Ferdinand and Isabella. One sees by that to what extent the very small number of men who knew how to write could deceive, and how easy it was to make us believe the most enormous absurdities. There are nations which have subjugated a part of the world without having the usage of characters. We know that Gengis-khan conquered a part of Asia at the beginning of the thirteenth century, but it is not through either him or the Tartars that we know it. Their history, written by the Chinese and translated by Father Gaubil, states that these Tartars had not at that time the art of writing. This art cannot have been less unknown to the Scythian Oguskan, named Madies by the Persians and the Greeks, who conquered a part of Europe and Asia so long before the reign of Cyrus. It is almost certain that at that time of a hundred nations there were hardly two or three who used characters. It is possible that in an ancient world destroyed, men knew writing and the other arts; but in ours they are all very recent. There remain records of another kind, which serve to establish merely the remote antiquity of certain peoples, and which precede all the known epochs, and all the books; these are the prodigies of architecture, like the pyramids and the palaces of Egypt, which have resisted time. Herodotus, who lived two thousand two hundred years ago, and who had seen them, was not able to learn from the Egyptian priests at what time they had been erected. It is difficult to give to the most ancient of the pyramids less than four thousand years of antiquity; but one must consider that these efforts of the ostentation of the kings could only have been commenced long after the establishment of the towns. But to build towns in a land inundated every year, let us always remark that it was first necessary to raise the land of the towns on piles in this land of mud, and to render them inaccessible to the flood; it was essential, before taking this necessary course, and before being in a state to attempt these great works, for the people to have practised retreating during the rising of the Nile, amid the rocks which form two chains right and left of this river. It was necessary for these mustered peoples to have the instruments for tilling, those of architecture, a knowledge of surveying, with laws and a police. All this necessarily requires a prodigious space of time. We see by the long details which face every day the most necessary and the smallest of our undertakings, how difficult it is to do great things, and it needs not only indefatigable stubbornness, but several generations animated with this stubbornness. However, whether it be Menes, Thaut or Cheops, or Rameses who erected one or two of these prodigious masses, we shall not be the more instructed of the history of ancient Egypt: the language of this people is lost. We therefore know nothing but that before the most ancient historians there was matter for making an ancient history.
Source: Voltaire's Philosophical Dictionary About the Author François-Marie Arouet (21 November 1694 - 30 May 1778), better known by the pen name Voltaire, was a French Enlightenment writer, essayist, deist and philosopher known for his wit, philosophical sport, and defense of civil liberties, including freedom of religion and the right to a fair trial. He was an outspoken supporter of social reform despite strict censorship laws in France and harsh penalties for those who broke them. A satirical polemicist, he frequently made use of his works to criticize Christian Church dogma and the French institutions of his day. More by Voltaire |
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